Cédric Rivrain

Cédric Rivrain is a Paris-based artist who has been drawing since the age of 18. He has illustrated and designed for prestigious fashion houses including John Galliano, Martine Sitbon and Yazbukey. His father was a GP therefore, he immersed himself in his father’s medical books, learning the articulations of the human form by drawing them with precision. He combined this background with his fashion experience to create work of his own such as self portraits of friends including Natasha Ramsay, Masha Orlov and Lily Cole.

Dazed Digital carried out an interview with Cedric Rivrain and found out some more background information on the illustrator.

Dazed Digital: How did you become an illustrator?
Cédric Rivrain: My first illustration was actually a double spread for Dazed and Confused. My friend Yaz Bukey, the jewellery and accessories designer, was offered this double spread to express herself. She liked my personal drawings and thought it would be a more poetic way to introduce herself – to have me drawing her and her fantasy world. That is how it all started.

DD: What inspires you most in your work?
Cédric Rivrain: My friends inspire me a lot. I like them for their beauty, their strength, their sensitivity, their inner world,
their creativity and their slight craziness. I choose people I know. I need to be moved by them. Especially for this exhibition, all the models have been close friends of mine for years. They all inspire me and mean a lot to me; those bandages and hands are my way to eternally protect and heal them. That is what I like about drawing. You engrave something for eternity. I also got a lot of my inspiration from my childhood, the mix of cultures my mother and father gave me were both very different. He was a passionate doctor and my mother was a very feminine woman who dressed in designer clothes and to whom appearance was very important. I grew up in a house full of antique medical books, illustrations, models and instruments. I guess drawing is my way of immortalising the particular culture my parents gave me. Eyes are also extremely important to me. Here again, my parents ones were the very beginning of this obsession. Theirs were both very clear, very expressive. I always knew how they felt just by looking at their eyes. Eyes are for me the essence of a person. They say everything. Expression of life lies in them.

DD: Can you tell me something about your subjects, how do you choose them and why?
Cédric Rivrain: It always comes naturally to me. It is a question of feeling and immediate envy. I do not anticipate too much when I work on a story. I let my hand ‘write’ it on the paper. I never really do sketches beforehand. When I start a drawing, I work on it until I feel I have said something through it. It is at the end that I understand myself what the whole thing was about. It just needed to come out, like a story to be told. But I guess it always relies on my own culture and fantasy. Like every artist, I have my inner world and drawing is my way to make it concrete, to make it alive.

Source: http://www.dazeddigital.com/artsandculture/article/3391/1/cedric-rivrain-heals-wounds

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